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André Bazin's Film Theory

André Bazin's Film Theory PDF Author: Angela Dalle Vacche
Publisher: Oxford University Press, USA
ISBN: 0190067292
Category : Art
Languages : en
Pages : 240
Book Description
Through metaphors and allusions to art, science, and religion, Andr� Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously-- the audience sees the same film, but each individual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture. By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that Andr� Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the world onto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinema explores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid a quantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.

André Bazin's Film Theory

André Bazin's Film Theory PDF Author: Angela Dalle Vacche
Publisher: Oxford University Press, USA
ISBN: 0190067292
Category : Art
Languages : en
Pages : 240
Book Description
Through metaphors and allusions to art, science, and religion, Andr� Bazin's writings on the cinema explore a simple yet profound question: what is a human? For the famous French film critic, a human is simultaneously a rational animal and an irrational being. Bazin's idea of the cinema is a mind-machine where the ethical implications have priority over aesthetic issues. And in its ability to function as an art form for the masses, cinema is the only medium that can address an audience at the individual and community levels simultaneously-- the audience sees the same film, but each individual relates to the narrative in a different way. In principle, cinema can unsettle our routines in productive ways and expand our sense of belonging to a much larger picture. By arguing that this dissident Catholic's worldview is anti-anthropocentric, Angela Dalle Vacche concludes that Andr� Bazin's idea of the cinema recapitulates the histories of biological evolution and modern technology inside our consciousness. Through the projection of recorded traces of the world onto a brain-like screen, the cinema can open viewers up to self-interrogation and empathy towards Otherness. Bazin was neither a spiritualist nor an animist or a pantheist, yet his film theory leads also to ideas of a more cosmological persuasion: through editing and camera movement, cinema explores our belonging to a vast universe that extends from the microbes of the microscope to the stars of the telescope. Such ideas of connectedness, coupled with Bazin's well-known emphasis of realism, form the foundation for his film theory's embrace of Italian neorealism. Choosing to avoid a quantitative naturalism based on accumulation of details, Bazin's theory instead promotes the kind of cinema that celebrates perceptual displacement, the objectification of human behavior, and one's own critical self-awareness.

Realism and Reality in Cinema

Realism and Reality in Cinema PDF Author: James Dudley Andrew
Publisher:
ISBN:
Category : Film critics
Languages : en
Pages : 546
Book Description


Andre Bazin's New Media

Andre Bazin's New Media PDF Author: André Bazin
Publisher: Univ of California Press
ISBN: 0520959396
Category : Performing Arts
Languages : en
Pages : 352
Book Description
André Bazin’s writings on cinema are among the most influential reflections on the medium ever written. Even so, his critical interests ranged widely and encompassed the "new media" of the 1950s, including television, 3D film, Cinerama, and CinemaScope. Fifty-seven of his reviews and essays addressing these new technologies—their artistic potential, social influence, and relationship to existing art forms—have been translated here for the first time in English with notes and an introduction by leading Bazin authority Dudley Andrew. These essays show Bazin’s astute approach to a range of visual media and the relevance of his critical thought to our own era of new media. An exciting companion to the essential What Is Cinema? volumes, André Bazin’s New Media is excellent for classroom use and vital for anyone interested in the history of media.

Opening Bazin

Opening Bazin PDF Author: Dudley Andrew
Publisher: Oxford University Press
ISBN: 0199792895
Category : Performing Arts
Languages : en
Pages : 384
Book Description
With the full range of his voluminous writings finally viewable, Andr? Bazin seems more deserving than ever to be considered the most influential of all writers on film. His brief career, 1943-58, helped bring about the leap from classical cinema to the modern art of Renoir, Welles, and neorealism. Founder of Cahiers du Cin?ma, he encouraged the future New Wave directors to confront his telltale question, What is Cinema? This collection considers another vital question, Who is Bazin? In it, thirty three renowned film scholars--including de Baecque, Elsaesser, Gunning, and MacCabe--tackle Bazin's meaning for the 2st century. They have found in his writings unmistakable traces of Flaubert, Bergson, Breton, and Benjamin and they have pursued this vein to the gold mine of Deleuze and Derrida. They have probed and assessed his ideas on film history, style, and technique, measuring him against today's media regime, while measuring that regime against him. They have located the precious ore of his thought couched within striations of French postwar politics and culture, and they have revealed the unexpected effects of that thought on filmmakers and film culture on four continents. Open Bazin; you will find a treasure.

The André Bazin Reader

The André Bazin Reader PDF Author: Andre Bazin
Publisher:
ISBN: 9781927852392
Category :
Languages : en
Pages : 635
Book Description
The André Bazin Reader is the largest and most comprehensive edition of the work of André Bazin in English. It includes 40 articles from every full year of Bazin's career, a major introductory essay by film theorist Jacques Aumont, and extensive annotations by translator Timothy Barnard. No other English-language edition has brought together all the major texts the way the caboose volume has. The texts included here are also offered in their original version, as they were written and published in Bazin's day, before he or his posthumous editors revised and abridged them. Several have never before been translated. The volume includes brilliant essays on filmmakers of Bazin's day (Renoir, Welles, Hitchcock, Chaplin, Bresson, Malraux, Pagnol, Wyler); essays on film and literature, painting and theatre; on Japanese cinema and Italian neo-realism; documentary and science film; film genres (comedy, the western, children's films); film language and mise en scène; film history; television and new film technologies; exhibition and dubbing; and the 'politique des auteurs' and the role of the critic. Readers will also discover the essay Découpage, which languished unread for nearly 60 years before the translator unearthed it. With the help of the translator's extensive critical glossaries, this volume restores Bazin's theory of découpage to his work and introduces it English-language film studies.

Studying Film with André Bazin

Studying Film with André Bazin PDF Author: Blandine Joret
Publisher: Amsterdam University Press
ISBN: 9048542081
Category : Art
Languages : en
Pages : 208
Book Description
The impact of French film critic André Bazin (1918-1958) on the development of film studies, though generally acknowledged, remains contested. A passionate initiator of film culture during his lifetime, his ideas have been challenged, defended and revived throughout his afterlife. Studying Film with André Bazin offers an entirely original interpretation of major concepts from Bazin's legacy, such as auteur theory, realism, film language and the influence of film on other arts (poetry and painting in particular). By examining mostly unknown and uncollected texts, Blandine Joret explains Bazin's methodology and adopts it in a contemporary reading, linking his ideas to major philosophical and scientific frameworks as well as more recent media practices such as advertising, CGI, 3D cinema and Virtual Reality. In tune with 21st-century concerns in media culture and film studies, this book addresses a wide readership of film scholars, students and cinephiles.

The Miracle of Realism

The Miracle of Realism PDF Author: Vinzenz Hediger
Publisher: Film Theory in Media History
ISBN: 9789089643360
Category : Art
Languages : en
Pages : 172
Book Description
Critic and theorist Andr� Bazin (1918-1958) has long enjoyed canonical status in film studies. As his unpublished and published work has become more accessible to scholars, and as new digital technologies call into question established notions of what cinema is, a new generation of film theorists has delved into Bazin’s writings on cinema and technology. However, one critical aspect of Bazin’s thinking has received little attention in this recent renaissance: his unorthodox Catholicism. The Miracle of Realism fills in this gap. Exploring the philosophical content and the theological underpinnings of Bazin’s contribution to film and media theory, Vinzenz Hediger sheds new light on Bazin’s ontological analysis of the photographic image and explores the implications of Bazin’s "cosmology of film” for our understanding of contemporary media culture.

Film, Theory and Philosophy

Film, Theory and Philosophy PDF Author: Felicity Colman
Publisher: Routledge
ISBN: 1317492447
Category : Philosophy
Languages : en
Pages : 400
Book Description
Philosophy, and in particular continental philosophy, has provided a conceptual underpinning for cinema since its beginnings, especially in the development of cinematic aesthetics. In its turn, film has rethought the abstractions of space and time and the categories of sex and gender and has created new concepts which illuminate phenomenology, metaphysics and epistemology. "Film and Philosophy" brings together leading scholars to provide a detailed overview of the key thinkers who have shaped the field of film philosophy. The thinkers include continental and 'post-continental' philosophers, analytic philosophers, film-makers, film reviewers, sociologists, and cultural theorists.The essays reveal how philosophy can be applied to film analysis and how film can be used to illustrate philosophical problems. But more importantly, the essays explore how film has shaped what philosophy thinks and how philosophy has lead to a reappraisal of film. The book will prove an invaluable reference and guide to readers interested in a deeper understanding of the issues and insights presented by film philosophy." Film and Philosophy" includes essays on: Hugo Munsterberg, Vilem Flusser, Siegfried Kracauer, Theodor Adorno, Antonin Artaud, Henri Bergson, Maurice Merleau-Ponty, Emmanuel Levinas, Andre Bazin, Roland Barthes, Serge Daney, Jean-Luc Godard, Stanley Cavell, Jean-Luc Nancy, Jacques Derrida, Gilles Deleuze, Sarah Kofman, Paul Virilio, Jean Baudrillard, Jean-Francois Lyotard, Fredric Jameson, Felix Guattari, Raymond Bellour, Christian Metz, Julia Kristeva, Laura Mulvey, Homi Bhabha, Slavoj Zizek, Stephen Heath, Alain Badiou, Jacques Ranciere, Leo Bersani, Giorgio Agamben, and Michel Chion.

Andre Bazin on Adaptation

Andre Bazin on Adaptation PDF Author: André Bazin
Publisher: Univ of California Press
ISBN: 0520375807
Category : Film adaptations
Languages : en
Pages : 434
Book Description
"Adaptation was central to André Bazin's lifelong query: What is cinema? Placing films alongside literature let him identify the aesthetic and sociological distinctiveness of each. More importantly, it helped him wage his campaign for a modern conception of cinema, one that owed a great deal to developments in the novel. His critical genius is on full display in this collection, where readers are introduced to the foundational concepts of the relationship between film and literary adaptation as put forth by one of the greatest film and cultural critics of the 20th century. Expertly curated and with an introduction by celebrated film scholar Dudley Andrew, the book begins with a selection of essays that show Bazin's film theory in action, followed by reviews of films adapted from renowned novelists of the day (Conrad, Hemingway, Steinbeck; Colette, Sagan, Duras; and more) as well as classic novels of the 19th century (Bronte, Melville, Tolstoy; Balzac, Hugo, Zola; Stendhal and more). Taken together, this volume will be an indispensable resource for anyone interested in literary adaptation, authorship, classical film theory, French film history, and André Bazin's criticism alike. As a bonus, 250 years of French fiction is put in play as Bazin assesses adaptation after adaptation to determine what is at stake for culture, for literature and especially for cinema"--

Andre Bazin

Andre Bazin PDF Author: Robert Cardullo
Publisher:
ISBN: 9783832535063
Category : Performing Arts
Languages : en
Pages : 260
Book Description
Andre Bazin (1918-1958) is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit, as well as with being the spiritual father of the French New Wave. In 1951 Bazin co-founded and became editor-in-chief of Cahiers du cinema, the single most influential critical periodical in the history of the cinema. He can also be considered the principal instigator of the equally influential auteur theory: the idea that, since film is an art form, the director of a movie must be perceived as the chief creator of its unique cinematic style. Unlike nearly all the other authors of major film theories, Bazin was a working or practical critic who wrote regularly about individual films. He based his criticism on the film actually made rather than on any preconceived aesthetic or sociological principles; and for the first time with him, film theory therefore became not a matter of pronouncement or prescription, but of description, analysis, and deduction. Indeed, Bazin can be regarded as the aesthetic link between film critics and film theorists. During his relatively short writing career, his primary concern was not to answer questions but to raise them, not to establish cinema as an art but to ask, What is art?'' and What is cinema?'' Regrettably, Andre Bazin died tragically young of leukemia in 1958, an illness against which he fought bravely for years. Yet he left much material behind, in his four-volume collection Qu'est-ce que le cinema? (1958-1962) as well as in such magazines as Esprit, L'Ecran francais, and France-Observateur. All of that material is now duly noted, for the first time, in this book's comprehensive bibliography of writings by Bazin and about Bazin, in all languages (but primarily in French and English). Also featuring a contextual introduction to Bazin's life and work, Andre Bazin: A Bio-Bibliography represents a major contribution to the still growing academic discipline of cinema studies, as well as a testament to the continuing influence of one of the world's pre-eminent critical thinkers.