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The New Soundtrack

The New Soundtrack PDF Author: Stephen Deutsch
Publisher: Eup ]D Edinburgh University Press ]E Published by Edinburgh University Press
ISBN: 9781474415194
Category :
Languages : en
Pages : 98
Book Description
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Each issue also features a short compilation of book and film reviews on recently released publications and artefacts.

The New Soundtrack

The New Soundtrack PDF Author: Stephen Deutsch
Publisher: Eup ]D Edinburgh University Press ]E Published by Edinburgh University Press
ISBN: 9781474415194
Category :
Languages : en
Pages : 98
Book Description
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Each issue also features a short compilation of book and film reviews on recently released publications and artefacts.

The New Soundtrack

The New Soundtrack PDF Author: Stephen Deutsch
Publisher:
ISBN: 9780748644230
Category : Performing Arts
Languages : en
Pages : 96
Book Description
The New Soundtrack brings together leading edge academic and professional perspectives on the complex relationship between sound and moving images. Former editors of The Soundtrack, Stephen Deutsch, Larry Sider and Dominic Power, bring their expertise to this project, providing a new platform for discourse on how aural elements combine with moving images. The New Soundtrack also encourages writing on more current developments, such as sound installations, computer-based delivery, and the psychology of the interaction of image and sound. The journal has an illustrious Editorial Board containing some of the most prominent people working with sound in the arts and media and the discourse which surrounds it.The New Soundtrack includes contributions from recognised practitioners in the field, , including composers, sound designers and directors, giving voice to the development of professional practice, alongside academic contributions. Each issue also features a short compilation of book and film reviews on recently released publications and art facts.

The Soundtrack Album

The Soundtrack Album PDF Author: Paul N. Reinsch
Publisher: Routledge
ISBN: 0429833830
Category : Music
Languages : en
Pages : 260
Book Description
The Soundtrack Album: Listening to Media offers the first sustained exploration of the soundtrack album as a distinctive form of media. Soundtrack albums have been part of our media and musical landscape for decades, enduring across formats from vinyl and 8-tracks to streaming playlists. This book makes the case that soundtrack albums are more than promotional tools for films, television shows, or video games— they are complex media texts that reward a detailed analysis. The collection’s contributors explore a diverse range of soundtrack albums, from Super Fly to Stranger Things, revealing how these albums change our understanding of the music and film industries and the audio-visual relationships that drive them. An excellent resource for students of Music, Media Studies, and Film/Screen Media courses, The Soundtrack Album offers interdisciplinary perspectives and opens new areas for exploration in music and media studies.

The New Soundtrack

The New Soundtrack PDF Author: Stephen Deutsch
Publisher: New Soundtrack
ISBN: 9781474439374
Category : Film soundtracks
Languages : en
Pages : 104
Book Description
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors.

Soundtrack Available

Soundtrack Available PDF Author: Pamela Robertson Wojcik
Publisher: Duke University Press
ISBN: 9780822327974
Category : Literary Collections
Languages : en
Pages : 512
Book Description
DIVEssays on film soundtracks composed of popular music (rather than the composed film score) both in relation to the films, and circulating separately on record./div

The Soundtrack of My Life

The Soundtrack of My Life PDF Author: Clive Davis
Publisher: Simon and Schuster
ISBN: 1476714789
Category : Biography & Autobiography
Languages : en
Pages : 585
Book Description
The chief creative officer of Sony Music presents a candid assessment of his life and the past half-century of popular music from an insider's perspective, tracing his work with a wide array of stars and personalities.

The Soundtracks of Woody Allen

The Soundtracks of Woody Allen PDF Author: Adam Harvey
Publisher: McFarland
ISBN: 0786429682
Category : Music
Languages : en
Pages : 229
Book Description
This comprehensive guide covers all of the music used in Woody Allen's films from Take the Money and Run (1969) to Match Point (2005). Each film receives scene-by-scene analysis with a focus on how Allen utilized music.

Opera as Soundtrack

Opera as Soundtrack PDF Author: Jeongwon Joe
Publisher: Routledge
ISBN: 1317085485
Category : Music
Languages : en
Pages : 224
Book Description
Filmmakers' fascination with opera dates back to the silent era but it was not until the late 1980s that critical enquiries into the intersection of opera and cinema began to emerge. Jeongwon Joe focusses primarily on the role of opera as soundtrack by exploring the distinct effects opera produces in film, effects which differ from other types of soundtrack music, such as jazz or symphony. These effects are examined from three perspectives: peculiar qualities of the operatic voice; various properties commonly associated with opera, such as excess, otherness or death; and multifaceted tensions between opera and cinema - for instance, opera as live, embodied, high art and cinema as technologically mediated, popular entertainment. Joe argues that when opera excerpts are employed on soundtracks they tend to appear at critical moments of the film, usually associated with the protagonists, and the author explores why it is opera, not symphony or jazz, that accompanies poignant scenes like these. Joe's film analysis focuses on the time period of the post-1970s, which is distinguished by an increase of opera excerpts on soundtracks to blockbuster titles, the commercial recognition of which promoted the production of numerous opera soundtrack CDs in the following years. Joe incorporates an empirical methodology by examining primary sources such as production files, cue-sheets and unpublished interviews with film directors and composers to enhance the traditional hermeneutic approach. The films analysed in her book include Woody Allen’s Match Point, David Cronenberg’s M. Butterfly, and Wong Kar-wai’s 2046.

The New Soundtrack

The New Soundtrack PDF Author: Stephen Deutsch
Publisher: New Soundtrack
ISBN: 9781474439367
Category : Film soundtracks
Languages : en
Pages : 90
Book Description
The New Soundtrack is fully peer-reviewed and includes contributions from recognised practitioners in the field, including composers, sound designers and directors.

The Oxford Handbook of Cinematic Listening

The Oxford Handbook of Cinematic Listening PDF Author: Carlo Cenciarelli
Publisher: Oxford University Press
ISBN: 0190853611
Category : Music
Languages : en
Pages : 789
Book Description
The Oxford Handbook of Cinematic Listening explores the intersection between the history of listening and the history of the moving image. Featuring established and emergent scholars from musicology, film studies, and literary studies, ethnomusicology and sound studies, popular music,sociology, media and communications, and psychology, this Handbook offers a wide range of case studies and methodological perspectives on the archaeologies, aesthetics, and extensions of cinematic listening.Chapters are structured around six themes: Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing genres such as opera and shadow theatre, and explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations andRelocations") focuses on specific venues and presentational practices (from roadshow movies to and contemporary live-score screenings). Part III ("Representations and Re-presentations") zooms into the formal properties of specific films, analysing representations of listening on screen as well as onthe role of sound as a representational surplus. Part IV ("The Listening Body") focuses on cinematic sound as a powerful and sensual stimulus that has the power to engage the full body sensorium. Part V ("Listening again") discusses a range of ways in which film sound is encountered andreinterpreted outside the cinema, through ancillary materials like songs and soundtrack albums, in experimental conditions, and in pedagogical contexts. Part VI ("Between Media") compares the listening protocols of cinema with those of TV series and music video, promenade theatre and personalstereos, video games and Virtual Reality.